Mallorca: Frédéric Chopin and George Sand Museum in Valldemossa
In October 1836, Chopin met a French writer George Sand (Aurore Dudevant) at Liszt’s house. In the summer of 1838, Sand and Chopin became lovers. They spent the following winter from 8 November 1838 to 11 February 1839 together with Sand’s two children in Mallorca. At first, they stayed in Palma de Mallorca and then at the Charterhouse in Valldemossa.
Already after a month, Chopin was writing about Valldemossa in rather sad tones, complaining about the weather and local cuisine. The Mediterranean climate was to agree with the composer; however, that year’s winter was particularly rainy and Chopin caught a cold. On top of that, the piano that was imported from Europe especially for him, was lost during the transport. After the piano was found, it was waiting later for weeks at the Palma port for the duty to be paid. During this time, Chopin was forced to play on a poor Majorcan piano. Despite the difficulties, he was working on his next pieces. It was in Mallorca where the collection of 24 preludes was completed (including prelude in D-flat major nicknamed “Raindrop”).
There was not much left after the visit of the couple of lovers. The locals, afraid of tuberculosis, burnt most of the furniture of the rooms Chopin and Sand had lived in. Museums dedicated to the famous couple are located in the monastery cells 2 and 4. Memorabilia collected there include letters and manuscripts, portraits and sketches, as well as the Majorcan piano, on which Chopin had been composing since January 1836. There are also a Chopin’s death mask and a lock of his hair, preserved in a George Sand’s book. The museum is private and was founded in 1929 by Anne-Marie Boutroux de Ferrà and her husband Bartomeu Ferrà i Juan.
The Chopin Festival organised by Festivals Chopin de Valldemossa has been held since 1930 in August at the Carthusian monastery.[7]
In cell 4, visitors can see the Pleyel piano ordered by the composer in Paris, which arrived in Valldemossa three weeks before his departure. When Chopin and Sand were leaving, they did not want to pay a high duty for the second time and left the piano to the director of the bank where Sand had opened an account.
The piano, not yet fully paid off, was probably a form of a settlement. The piano was passed on in the banker’s family from one generation to another. Its current owners are the heirs of the bank director, the Quetglas brothers, who administer Chopin’s and G. Sand’s cell. The instrument is the greatest pride of their Chopin museum.